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Court Warns Akpabio: Jail Threat Looms Over Natasha’s Suspension

Matti Olaitan

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Senate President Godswill Akpabio risks imprisonment for allegedly defying a court order as Senator Natasha Akpoti-Uduaghan initiates contempt proceedings against the Senate.

 

Following her controversial six-month suspension, Akpoti-Uduaghan filed a contempt charge against Akpabio, the Clerk of the National Assembly, and the Chairman of the Senate Committee on Ethics, Privileges, and Code of Conduct, Senator Neda Imasuem.

 

Justice Obiora Egwuatu of the Federal High Court in Abuja had earlier issued an ex-parte order on March 4, restraining the Senate from taking disciplinary action against Akpoti-Uduaghan. However, despite this order, the Senate proceeded with her suspension, sealing her office and demanding the return of all Senate property in her possession.

 

In response, Akpoti-Uduaghan’s legal team filed a Form 48 Notice of Disobedience of Court Order, warning Akpabio and others that their defiance could lead to imprisonment. The court document, obtained by SaharaReporters, emphasizes that their actions are in “flagrant defiance” of judicial authority.

 

 

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Events

African Women in Europe had a Successful Summit and Awards Event in Copenhagen.

Ikechukwu Emmanuel

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On June 7th, African Women in Europe (AWE) celebrated a successful Summit and Awards event at the Golden Palace in Copenhagen, Denmark. Joy Zenz the Founder and CEO of African Women in Europe (AWE) and African Women in Trade (AWT) was present and also made a speech to the people at the event. Queen PhinaDon, AWE Denmark Coordinator, Public Speaker, and CEO/Publisher of PhinaDon Magazine, Founder PhinaDon Touching Lives Foundation, Media Executive and Mentor served as the event moderator.

The event was honored by the presence of a representative from the office of Ambassador T. A. Elias-Fatile, PhD CDAai/Head of Mission, Embassy of Nigeria, Stockholm, Sweden.

The summit commenced with a conference centred on the theme: “The Strategic Role of the African Diaspora in AfCFTA Integration.” Discussions focused on how the African Continental Free Trade Area (AfCFTA) represents a pivotal step towards unifying the African market and the crucial role of the African Diaspora in realizing AfCFTA’s vision. The event then transitioned into a Gala Awards ceremony.

Here are pictures of QUEEN PHINADON with Some Important Personnel at the Event ;

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Entertainment

Mike Ejeagha’s Eldest Son Explains the Reason for Burial of his Father within 24 hours of his Death.

Ikechukwu Emmanuel

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Highlife music has lost a significant figure. Chief Mike Ejeagha, the celebrated Nigerian musician known for his hit “Gwo Gwo Gwo,” was laid to rest on Saturday in his hometown of Umuagba, Imezi-Owa, Enugu State. This occurred less than 24 hours after his passing at the age of 95 due to a prolonged illness.

Ejeagha’s rapid burial was in accordance with his express wishes, as revealed by his eldest son, Emmanuel Ejeagha. In a statement to the News Agency of Nigeria, Emmanuel explained that his father had requested a swift interment without embalmment. This wish was honored by his family, kindred, and with the consent of Enugu State Governor Peter Mbah. While the burial has been concluded, funeral ceremonies will be held at a later date.

Governor Mbah mourned Ejeagha as a uniquely gifted artist whose musical storytelling and cultural impact transcended generations. His passing marks a profound loss for his family, Enugu State, the music industry, and the nation.

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Entertainment

‘Gwo Gwo Gwo’ Singer Gentleman Mike Ejeagha Passes Away at 95.

Ikechukwu Emmanuel

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The Nigerian highlife music scene mourns the loss of Chief Mike Ejeagha, who passed away on Friday evening at the age of 95. Confirmed by his eldest son, Emma, the legendary musician died at the 32 Garrison Hospital in Enugu after a prolonged illness.

Born on April 4, 1930, in Enugu State, Ejeagha, popularly known as “Gentleman Mike Ejeagha,” achieved prominence between the 1960s and 1980s. His distinctive style of Igbo folk music produced enduring hits such as Omekagu, Uwa Mgbede Ka Mma, and Ka Esi Le Onye Isi Oche (Gwogwogwongwo).

Ejeagha’s contribution to Igbo culture is immense, with over 300 recordings archived in the National Archives of Nigeria. A recent viral dance challenge in 2024, featuring his 1983 track “Ka Esi Le Onye Isi Oche,” introduced his work to a new generation.

His passing marks the end of an era, but Mike Ejeagha’s legacy remains firmly etched in Nigerian highlife music.

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