Entertainment
Skales mentioned that Wizkid never liked him.
In a recent episode of the ‘Listen’ podcast, Nigerian singer Skales made headlines by revealing his longstanding belief that fellow artist and former record label mate Wizkid has never liked him. Skales recounted feelings of repulsion he has perceived from the ‘Starboy’ over the years, particularly highlighting a notable fallout on social media.
The singer reminisced about a past incident during a Twitter question-and-answer session, where he jokingly remarked about Wizkid’s apparent disinterest in their friendship. This seemingly innocuous comment prompted a barrage of insults from Wizkid, targeting not only Skales but also his family. Skales noted that this reaction indicated a deeper animosity, stating, “I have always felt that Wizkid didn’t like me. I don’t know why but there were occasions where he showed his dislike for me.”
Despite his attempts to reconcile, Skales expressed a sense of resignation, suggesting that Wizkid’s disdain is evident and unyielding. He reflected on the public perception that often accompanies such disputes, acknowledging that any defense of his character would likely be dismissed as jealousy of Wizkid’s success.
This revelation adds another layer to the complex dynamics within the Nigerian music industry, where rivalries and personal conflicts often play out in the public eye. As Skales continues to navigate his career, this candid admission raises questions about the nature of relationships among artists and the impact of social media on personal interactions.
Veteran Nollywood actress Genevieve Nnaji recently engaged with a fan’s observation about her appearance on X. Following a post featuring a photograph of the actress, a user commented on her aging, stating, “You really cannot cheat nature. My fine wine is finally growing old.”
Ms. Nnaji’s response demonstrated a remarkably grounded perspective. She replied, “It gets worse, bro. I will get so old I’ll die, if I’m lucky.”
This simple yet profound statement underscores a realistic and mature acceptance of the inevitable aging process. The actress, widely celebrated for her beauty and impactful contributions to Nollywood since 1998, acknowledges mortality with refreshing candor. Her response serves as a reminder that aging is a natural and privileged experience, a perspective often overshadowed in the pursuit of perpetual youth.
Nigerian rapper Tochukwu Ojogwu, known professionally as Odumodublvck, has publicly stated that he refused a substantial monetary offer designed to sway his support against Labour Party presidential candidate, Peter Obi, during the 2023 election cycle.
This declaration follows criticism directed at the artist for his perceived entitlement in requesting Mr. Obi to promote his forthcoming album, “The Machine Is Coming,” as a reciprocation for his loyalty.
Odumodublvck defended his request, asserting that he made significant sacrifices to support Mr. Obi’s campaign. In a post on X, he alluded to the magnitude of the offer he rejected, framing his album promotion request as a modest ask in light of his prior commitment. The artist emphasized his unwavering stance and the forthcoming release of his project.
American rapper and model Rubi Rose has publicly stated her financial prerequisites for prospective romantic partners. In a recent livestream with Adin Ross, the artist declared that she requires a potential suitor to earn a minimum of $5 million annually.
Rose justified this stipulation by drawing a parallel to societal expectations regarding female attractiveness, stating that “Men won’t date ugly girls, so I don’t want to date a broke guy.” Further clarifying her position, she added that she desires a partner who is financially comparable to herself and stipulated that his wealth must be derived from legal avenues. Her remarks have predictably ignited considerable discussion regarding financial expectations in modern relationships.
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