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Reminisce states that it’s money that creates hit songs today, rather than the quality of the music itself.

Ikechukwu Emmanuel

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In a recent interview on the ‘I Said What I Said’ podcast, Nigerian rapper Remilekun Khalid Safaru, popularly known as Reminisce, offered a poignant critique of the modern music industry. He posited that financial investment has increasingly usurped artistic merit as the primary determinant of a hit song’s success.

Reminisce articulated a profound shift in the landscape of music production and promotion, stating, “The game has now changed to another phase. The phase where you now have to spend money to get hits.” This assertion underscores a growing concern among musicians and industry insiders that talent and artistic integrity are often overshadowed by marketing budgets.

The rapper’s remarks resonate deeply in an era where the visibility of a song often hinges on its promotional expenditures rather than its musical substance. He emphasized that “money now produces hits not music anymore,” suggesting that the commercial viability of a track is frequently assessed through the lens of its financial backing.

As artists navigate this new terrain, the question remains: how will this trend affect the authenticity of music and the creative forces behind it? Reminisce’s reflections serve as a critical reminder to the industry that artistic expression should not be sacrificed at the altar of commercial success.

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Entertainment

Nollywood Mourns the Loss of Kayode Peters.

Ikechukwu Emmanuel

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The Nigerian film industry is in mourning following the death of Kayode Peters, a renowned filmmaker and producer. The news was announced by his family on his official Instagram page, stating that he passed away peacefully on the morning of Saturday, June 28, 2025, in Toronto, Canada, after a long illness.

Peters, fondly known as KP, was celebrated for his contributions as a filmmaker, actor, and producer. He was known for his role as Koko in the popular sitcoms “Twilight Zone” and “Flatmates” in the early 2000s. His work also extended to stage plays and sitcoms like “Extended Family” and “Being Farouk,” significantly impacting Nigeria’s contemporary theatre and television landscape.

He is survived by his wife, Alexander, and their children. Funeral arrangements are underway, and further details will be shared by the family in due course. The industry and fans alike will deeply miss his warmth, generosity, and contributions to Nollywood.

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Entertainment

Carter Efe Loses Social Media Accounts Following His Criticism of Wizkid.

Ikechukwu Emmanuel

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Popular Nigerian skit maker, Carter Efe, has reportedly lost access to his Instagram and TikTok accounts. This development follows recent criticism leveled against Afrobeat artist Wizkid during a TikTok live stream.

Efe’s comments, in which he accused Wizkid of pride, triggered a backlash from Wizkid’s fanbase, known as Wizkid FC. Subsequently, Efe claimed on X (formerly Twitter) that his Instagram account, boasting 1.8 million followers, was taken down by Wizkid FC. He later released an apology video stating that his TikTok account had also been blocked.

Efe has appealed to Wizkid and Wizkid FC for forgiveness and the restoration of his accounts.

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Terry G Claims Indelible Impact on Nigerian Music.

Ikechukwu Emmanuel

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Gabriel Oche Amanyi, known as Terry G, has asserted his significant contribution to the Nigerian music landscape. The “Akpoko Master,” pioneer of the “Street-hop” movement in the 2010s, stated that his influence is undeniable when discussing cultural impact within the Nigerian music industry.

His comments, made via social media on Wednesday, arrive amidst ongoing discussions regarding impact and legacies, spurred by the recent exchange between Odumodublvck and Blaqbonez.

In his statement on X, Terry G declared, “You can’t talk about cultural impact in Nigeria without talking about Terry G. I am the culture!” This pronouncement underscores his belief in his lasting effect on the evolution of Nigerian music.

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