Entertainment
Phyno explains his reasons for rapping in Igbo.
Nigerian indigenous rapper, Chibuzor Nelson Azubuike, widely known as Phyno, recently articulated the motivations behind his decision to rap in his native Igbo dialect. In an insightful discussion on the latest episode of the ‘In My Opinion’ podcast, Phyno reflected on the evolution of his musical journey, emphasizing the importance of cultural representation in an increasingly globalized music industry.
Initially, Phyno began his career with English rap, influenced by iconic Western artists such as Busta Rhymes, Jay-Z, Tupac, and The Notorious B.I.G. However, as he sought to carve out a unique space for himself within the music scene, he recognized the need to offer something distinctive to the global audience. “What am I going to sell to the world?” he pondered, highlighting the paradox of promoting a language already owned by its native speakers.
By choosing to express himself in Igbo, Phyno not only embraces his cultural heritage but also presents a unique product to the world. He remarked, “If I go to America right now, I am selling Igbo to them. That’s what it’s.” This perspective underlines the potential of indigenous languages in the global music industry, allowing artists to penetrate markets with authenticity and originality.
Phyno’s upbringing in a highlife-influenced neighborhood further enriched his musicality, allowing him to weave various cultural influences into his art. He emphasized the importance of representing his culture, even in his fashion choices. The rapper’s dedication to showcasing Igbo culture through music and attire embodies a broader movement among artists who seek to redefine cultural narratives on a global scale.
In conclusion, Phyno’s commitment to rapping in Igbo not only elevates the profile of indigenous languages in the global music scene but also serves as an inspiring reminder of the power of cultural authenticity in artistic expression.
The Nigerian film industry is in mourning following the death of Kayode Peters, a renowned filmmaker and producer. The news was announced by his family on his official Instagram page, stating that he passed away peacefully on the morning of Saturday, June 28, 2025, in Toronto, Canada, after a long illness.
Peters, fondly known as KP, was celebrated for his contributions as a filmmaker, actor, and producer. He was known for his role as Koko in the popular sitcoms “Twilight Zone” and “Flatmates” in the early 2000s. His work also extended to stage plays and sitcoms like “Extended Family” and “Being Farouk,” significantly impacting Nigeria’s contemporary theatre and television landscape.
He is survived by his wife, Alexander, and their children. Funeral arrangements are underway, and further details will be shared by the family in due course. The industry and fans alike will deeply miss his warmth, generosity, and contributions to Nollywood.
Popular Nigerian skit maker, Carter Efe, has reportedly lost access to his Instagram and TikTok accounts. This development follows recent criticism leveled against Afrobeat artist Wizkid during a TikTok live stream.
Efe’s comments, in which he accused Wizkid of pride, triggered a backlash from Wizkid’s fanbase, known as Wizkid FC. Subsequently, Efe claimed on X (formerly Twitter) that his Instagram account, boasting 1.8 million followers, was taken down by Wizkid FC. He later released an apology video stating that his TikTok account had also been blocked.
Efe has appealed to Wizkid and Wizkid FC for forgiveness and the restoration of his accounts.
Gabriel Oche Amanyi, known as Terry G, has asserted his significant contribution to the Nigerian music landscape. The “Akpoko Master,” pioneer of the “Street-hop” movement in the 2010s, stated that his influence is undeniable when discussing cultural impact within the Nigerian music industry.
His comments, made via social media on Wednesday, arrive amidst ongoing discussions regarding impact and legacies, spurred by the recent exchange between Odumodublvck and Blaqbonez.
In his statement on X, Terry G declared, “You can’t talk about cultural impact in Nigeria without talking about Terry G. I am the culture!” This pronouncement underscores his belief in his lasting effect on the evolution of Nigerian music.
Federal Government Declares State of Emergency on Suleja-Minna Road.
Nollywood Mourns the Loss of Kayode Peters.
