Entertainment
Drake sues UMG, Spotify for ‘artificially boosting Kendrick Lamar’s diss song

In a surprising development within the music industry, Canadian rapper Drake has initiated legal proceedings against Universal Music Group (UMG) and Spotify. The allegations center around claims that the two entities collaborated to artificially inflate the streaming numbers of Kendrick Lamar’s diss track, “Not Like Us.”
On Monday, attorneys representing Frozen Moments LLC, Drake’s entertainment company, filed a petition with the New York Supreme Court. The legal team accuses UMG and Spotify of orchestrating an illegal scheme that employed bots, payola, and other questionable tactics to promote Lamar’s song while simultaneously obstructing the success of Drake’s own music. The stark assertion from Drake’s attorneys contends that UMG engaged in manipulative practices, deviating from standard business norms. They allege that the track, which achieved an astonishing 96 million streams within a mere week, was strategically licensed to Spotify at a 30% discount in exchange for enhanced promotional support.
In addition to the New York lawsuit, Drake has lodged a separate defamation suit against UMG in Texas. This complaint highlights that UMG allegedly disseminated the track, despite being aware of its defamatory content, which falsely accused Drake of serious allegations.
In response to these serious accusations, a spokesperson for UMG categorically denied any wrongdoing, calling the claims “offensive and untrue.” They emphasized that UMG adheres to high ethical standards in its marketing and promotional efforts and asserted that the music charts are determined by fan choice, not by manipulative practices.
The implications of this legal dispute are significant, not only for the involved parties but also for the broader music industry. As both Drake and Lamar have longstanding affiliations with UMG, this controversy raises questions about the integrity of streaming practices and the competitive dynamics within the industry. The outcome of these legal proceedings could have far-reaching consequences for how music is marketed, promoted, and consumed in the digital age.
Entertainment
Nollywood Mourns the Loss of Kayode Peters.

The Nigerian film industry is in mourning following the death of Kayode Peters, a renowned filmmaker and producer. The news was announced by his family on his official Instagram page, stating that he passed away peacefully on the morning of Saturday, June 28, 2025, in Toronto, Canada, after a long illness.
Peters, fondly known as KP, was celebrated for his contributions as a filmmaker, actor, and producer. He was known for his role as Koko in the popular sitcoms “Twilight Zone” and “Flatmates” in the early 2000s. His work also extended to stage plays and sitcoms like “Extended Family” and “Being Farouk,” significantly impacting Nigeria’s contemporary theatre and television landscape.
He is survived by his wife, Alexander, and their children. Funeral arrangements are underway, and further details will be shared by the family in due course. The industry and fans alike will deeply miss his warmth, generosity, and contributions to Nollywood.
Entertainment
Carter Efe Loses Social Media Accounts Following His Criticism of Wizkid.

Popular Nigerian skit maker, Carter Efe, has reportedly lost access to his Instagram and TikTok accounts. This development follows recent criticism leveled against Afrobeat artist Wizkid during a TikTok live stream.
Efe’s comments, in which he accused Wizkid of pride, triggered a backlash from Wizkid’s fanbase, known as Wizkid FC. Subsequently, Efe claimed on X (formerly Twitter) that his Instagram account, boasting 1.8 million followers, was taken down by Wizkid FC. He later released an apology video stating that his TikTok account had also been blocked.
Efe has appealed to Wizkid and Wizkid FC for forgiveness and the restoration of his accounts.
Entertainment
Terry G Claims Indelible Impact on Nigerian Music.

Gabriel Oche Amanyi, known as Terry G, has asserted his significant contribution to the Nigerian music landscape. The “Akpoko Master,” pioneer of the “Street-hop” movement in the 2010s, stated that his influence is undeniable when discussing cultural impact within the Nigerian music industry.
His comments, made via social media on Wednesday, arrive amidst ongoing discussions regarding impact and legacies, spurred by the recent exchange between Odumodublvck and Blaqbonez.
In his statement on X, Terry G declared, “You can’t talk about cultural impact in Nigeria without talking about Terry G. I am the culture!” This pronouncement underscores his belief in his lasting effect on the evolution of Nigerian music.