Entertainment
Drake Defends the Resilience of Rap Music Against Controversial Claims.
In a recent dialogue with popular American streamer Adin Ross, Canadian rap icon Drake passionately refuted the assertion that rap music is “dead.” This claim, initially made by Ross, was met with firm resistance from the distinguished artist. “It’ll never die,” Drake asserted, underscoring his unwavering belief in the genre’s vitality and cultural significance.
The conversation surfaced amidst a backdrop of similar contentious statements within the music industry. Earlier this year, Nigerian afrobeats superstar Wizkid ignited a debate by proclaiming that “rap is dead,” a comment that incited responses from various artists, including Terry Tharapman, Zoro, and Ladipoe, who endeavored to debunk the assertion.
Drake’s commentary not only counters the notion of rap’s demise but also emphasizes the genre’s enduring appeal and its ability to adapt and thrive amidst changing musical landscapes. In his typical candor, he referenced the peculiar dynamics of the recent NBA season, indicating that the cyclical nature of trends—both in sports and music—ensures that rap will continue to evolve and resonate with audiences.
As discussions around the relevance of rap persist, Drake’s emphatic declaration serves as a reminder of the genre’s historical and ongoing significance in the wider musical narrative.
Following his recent arrest and temporary detainment related to alleged criminal defamation against Fuji musician Saheed Osupa, controversial Nigerian singer Habeeb Okikiola Badmus, known as Portable, has vowed to pursue legal action against anyone who defames him.
In a widely circulated video, Portable declared his intention to ensure the arrest of individuals who engage in defamatory speech against him. Citing his own experience with legal repercussions for defamation, the “Zazu” crooner stated, “Whoever talks bad about me or defames me will be arrested. They have done it to me, and I will do it to anybody too. There is no mercy.”
This declaration follows Portable’s remand at the Oke Kura Correctional Centre in Ilorin after failing to meet initial bail conditions. He was subsequently released after Saheed Osupa withdrew the petition against him. The incident appears to have solidified Portable’s resolve to vigorously defend his reputation through legal means.
Abuja shimmered with prestige on Saturday as businessman Obinna Iyiegbu, known as Obi Cubana, commemorated his 50th birthday in a grand affair. Held at the Transcorp Hilton Hotel, the celebration drew a distinguished guest list of national and international figures.
Political luminaries such as Peter Obi, Senator Enyinnaya Abaribe, and Senator Chris Ngige joined entertainment icons like Flavour, Paul Okoye, and Ini Edo in honoring the celebrated entrepreneur. The evening featured electrifying performances and heartfelt tributes, solidifying Obi Cubana’s status as a cultural icon.
Obi Cubana, known for his Cubana Group’s influence in hospitality and empowerment, expressed gratitude for the support received throughout his journey. The event served as a testament to his impact and legacy in Nigerian business and philanthropy.
Video :
It’s like a movie, another scene from Obi Cubana birthday party at 50th
Where them truly they see this money self🤔 pic.twitter.com/D0vo3ZNjnQ — Gistme9ja (@Gistme9j) April 14, 2025
Flavour performing at Obi Cubana’s birthday party 🥳, na everywhere you go see CP 😭😂 pic.twitter.com/8gtzunvE4S
— Oyindamola🙄 (@dammiedammie35) April 13, 2025
Live from Obi Cubana’s birthday…. Omoh money is good my bro 🥹 🥶💰✨ pic.twitter.com/Vx4n8lU8cL
— Oyindamola🙄 (@dammiedammie35) April 12, 2025
Moment Daddy Freeze met Pastor Jerry Eze at Obi Cubana’s birthday party happening live in Abuja pic.twitter.com/eXmHnbWYKH
— Mirabel (@MarianVictor18) April 12, 2025
Nigerian Afrobeats artist, Fireboy DML, recently made the bold declaration that he has never experienced heartbreak. In an interview, the “Playboy” singer stated his desire for such an experience, but ultimately decided against it, citing the potential detrimental impact on his career and well-being.
The 29-year-old suggests that heartbreak is often self-inflicted, a consequence of ignoring warning signs in relationships. While acknowledging the pain inherent in heartbreak, Fireboy DML maintains that avoiding it is a conscious choice he is making to safeguard his current trajectory.
Whether this stance is a calculated move to control his narrative or a genuine reflection of his experiences remains to be seen. However, such a definitive statement invites scrutiny and raises the question of whether genuine artistic depth can be achieved without navigating the complexities of emotional vulnerability. Time will tell if this avoidance proves beneficial or ultimately limits his artistic expression.
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