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Blaqbonez – “I’m 50 times bigger than Asake”.

Ikechukwu Emmanuel

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In a recent social media interaction, Nigerian rapper Emeka Akumefule, widely known as Blaqbonez, asserted that he is “50 times bigger” than Grammy-nominated artist Asake. This bold declaration arose in response to a resurfaced tweet from 2019, in which Asake, then an emerging talent, had requested Blaqbonez to follow him back on social media.

The discussion intensified when a user on X, identified as @thejacobsss, humorously suggested that ranking Asake higher than Blaqbonez was absurd. Blaqbonez appeared to agree with this sentiment, stating, “Asake is big, but saying he’s bigger than Blaqbonez is pure comedy walai.” He further emphasized his claim by referencing his purported ability to sell out the O2 Arena in just one minute, contrasting it with Asake’s longer timeframe for achieving the same feat.

However, it is important to note that Blaqbonez has not actually sold out the O2 Arena, while Asake has successfully done so on two occasions. This discrepancy raises questions about the accuracy of Blaqbonez’s assertions and highlights the competitive nature of the Nigerian music industry, where artists often engage in playful rivalries. As the conversation unfolds, it reflects the dynamic landscape of contemporary Afrobeat and hip-hop culture in Nigeria.

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Entertainment

Nollywood Mourns the Loss of Kayode Peters.

Ikechukwu Emmanuel

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The Nigerian film industry is in mourning following the death of Kayode Peters, a renowned filmmaker and producer. The news was announced by his family on his official Instagram page, stating that he passed away peacefully on the morning of Saturday, June 28, 2025, in Toronto, Canada, after a long illness.

Peters, fondly known as KP, was celebrated for his contributions as a filmmaker, actor, and producer. He was known for his role as Koko in the popular sitcoms “Twilight Zone” and “Flatmates” in the early 2000s. His work also extended to stage plays and sitcoms like “Extended Family” and “Being Farouk,” significantly impacting Nigeria’s contemporary theatre and television landscape.

He is survived by his wife, Alexander, and their children. Funeral arrangements are underway, and further details will be shared by the family in due course. The industry and fans alike will deeply miss his warmth, generosity, and contributions to Nollywood.

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Carter Efe Loses Social Media Accounts Following His Criticism of Wizkid.

Ikechukwu Emmanuel

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Popular Nigerian skit maker, Carter Efe, has reportedly lost access to his Instagram and TikTok accounts. This development follows recent criticism leveled against Afrobeat artist Wizkid during a TikTok live stream.

Efe’s comments, in which he accused Wizkid of pride, triggered a backlash from Wizkid’s fanbase, known as Wizkid FC. Subsequently, Efe claimed on X (formerly Twitter) that his Instagram account, boasting 1.8 million followers, was taken down by Wizkid FC. He later released an apology video stating that his TikTok account had also been blocked.

Efe has appealed to Wizkid and Wizkid FC for forgiveness and the restoration of his accounts.

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Terry G Claims Indelible Impact on Nigerian Music.

Ikechukwu Emmanuel

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Gabriel Oche Amanyi, known as Terry G, has asserted his significant contribution to the Nigerian music landscape. The “Akpoko Master,” pioneer of the “Street-hop” movement in the 2010s, stated that his influence is undeniable when discussing cultural impact within the Nigerian music industry.

His comments, made via social media on Wednesday, arrive amidst ongoing discussions regarding impact and legacies, spurred by the recent exchange between Odumodublvck and Blaqbonez.

In his statement on X, Terry G declared, “You can’t talk about cultural impact in Nigeria without talking about Terry G. I am the culture!” This pronouncement underscores his belief in his lasting effect on the evolution of Nigerian music.

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