Entertainment
The police have declined to release Speed Darlington, despite a court order requiring them to do so – Adeyanju
Human rights activist and lawyer Deji Adeyanju has voiced his indignation regarding the ongoing detention of rapper Darlington Okoye, popularly known as Speed Darlington, despite a Federal High Court order issued on December 23, granting him bail. Speed Darlington has been held in police custody since November 27, following his re-arrest by the Nigerian police in Owerri, Imo State.
Reports indicate that his initial arrest in October was connected to a petition filed by fellow artist Burna Boy. The recent ruling by the Federal High Court mandated Speed Darlington’s unconditional release, stipulating that his legal team only needed to present the court order to the police legal department for processing. This order was expected to be forwarded to the Force Investigation Department (FID), where he is currently detained.
However, despite the legal team’s compliance in submitting the necessary documentation, the police have yet to effect Speed Darlington’s release. This delay raises serious concerns regarding the adherence to judicial directives by law enforcement.
In a statement on his X account, Adeyanju condemned the police’s actions, characterizing them as a blatant disregard for judicial authority. He stated, “The Nigerian Police have refused to release Speed Darlington a.k.a AKPI despite the explicit order of the Federal High Court to do so. This is the highest form of disrespect to the judiciary.”
The situation highlights ongoing issues surrounding the enforcement of legal orders in Nigeria and the need for accountability within law enforcement agencies. The continued detention of Speed Darlington, despite clear judicial instructions, calls for immediate attention and action to uphold the rule of law.
The Nigerian film industry is in mourning following the death of Kayode Peters, a renowned filmmaker and producer. The news was announced by his family on his official Instagram page, stating that he passed away peacefully on the morning of Saturday, June 28, 2025, in Toronto, Canada, after a long illness.
Peters, fondly known as KP, was celebrated for his contributions as a filmmaker, actor, and producer. He was known for his role as Koko in the popular sitcoms “Twilight Zone” and “Flatmates” in the early 2000s. His work also extended to stage plays and sitcoms like “Extended Family” and “Being Farouk,” significantly impacting Nigeria’s contemporary theatre and television landscape.
He is survived by his wife, Alexander, and their children. Funeral arrangements are underway, and further details will be shared by the family in due course. The industry and fans alike will deeply miss his warmth, generosity, and contributions to Nollywood.
Popular Nigerian skit maker, Carter Efe, has reportedly lost access to his Instagram and TikTok accounts. This development follows recent criticism leveled against Afrobeat artist Wizkid during a TikTok live stream.
Efe’s comments, in which he accused Wizkid of pride, triggered a backlash from Wizkid’s fanbase, known as Wizkid FC. Subsequently, Efe claimed on X (formerly Twitter) that his Instagram account, boasting 1.8 million followers, was taken down by Wizkid FC. He later released an apology video stating that his TikTok account had also been blocked.
Efe has appealed to Wizkid and Wizkid FC for forgiveness and the restoration of his accounts.
Gabriel Oche Amanyi, known as Terry G, has asserted his significant contribution to the Nigerian music landscape. The “Akpoko Master,” pioneer of the “Street-hop” movement in the 2010s, stated that his influence is undeniable when discussing cultural impact within the Nigerian music industry.
His comments, made via social media on Wednesday, arrive amidst ongoing discussions regarding impact and legacies, spurred by the recent exchange between Odumodublvck and Blaqbonez.
In his statement on X, Terry G declared, “You can’t talk about cultural impact in Nigeria without talking about Terry G. I am the culture!” This pronouncement underscores his belief in his lasting effect on the evolution of Nigerian music.
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