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Rudeboy slams the producer, claiming that the song “Winning” was recorded without his permission.

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Nigerian musician Paul Okoye, famously known as Rudeboy from the acclaimed duo PSquare, has recently expressed his frustrations regarding significant issues surrounding his latest track, “Winning.” Taking to Instagram, Rudeboy voiced his dissatisfaction over what he describes as unauthorized actions by his producer and management, who he claims re-recorded the song without his consent, despite intentions to include it in his upcoming album slated for release next year.

In his poignant post, Rudeboy lamented, “Song title: WINNING. Written and sang by RUDEBOY… NOW HOW COME? NOW AM I SUPPOSED TO RELEASE ANOTHER VERSION? Just a simple thing: Bring 6 songs let me bring 6 songs… submitted my 6 songs to the so-called management. Why re-singing my own song word for word?” His words highlight a concern prevalent in the music industry—challenges of artistic integrity and the importance of consent in the creative process.

This public disagreement underscores the persistent tensions not only within Rudeboy’s professional relationships but also reflects broader conflicts that have historically marked his dynamic with his twin brother, Peter Okoye. While PSquare enjoyed remarkable success as a duo, a series of creative and business disputes have often strained their partnership. The unfolding conflict over “Winning” illustrates the ongoing struggle for control and direction in their respective music careers.

As Rudeboy navigates this challenging landscape, his frustrations serve as a reminder of the complexities artists face in asserting their creative rights amidst the pressures of the industry. The outcome of this dispute will undoubtedly be closely watched by fans and industry professionals alike, as it may set a precedent for how such issues are addressed in the future.

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How the rumors of my death affected my family – Yinka Quadri.

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In a recent interview, esteemed Nollywood actor Yinka Quadri addressed the distressing repercussions of a death rumor that circulated in June, causing considerable concern among his fans and family. The 65-year-old actor took to social media to clarify his wellbeing, stating unequivocally that he was “alive and well.” Despite this reassurance, the emotional toll on his family was significant.

Quadri expressed his disappointment in those who propagate such falsehoods, acknowledging the unnecessary stress and anxiety inflicted upon his loved ones. He remarked, “Weldone, you content creators,” encapsulating his feelings towards the individuals responsible for the rumor. While he emphasized that no one welcomes the spread of death rumors, he chose to leave judgment of the perpetrators to a higher authority.

The actor recounted how the rumor caused his children, who reside abroad, to experience heightened worry, prompting frequent calls to verify his safety. Quadri’s experience underscores the profound impact that misinformation can have on individuals and their families, drawing attention to the ethical responsibilities of content creators in the age of social media.

In conclusion, the fallout from such rumors serves as a reminder of the importance of compassion and truthfulness in our communications, particularly when it concerns matters of life and death.

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Jada Pollock emphasizes that she is not solely defined by being Wizkid’s baby mama.

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In a recent interview, Jada Pollock, the talent manager and mother of Wizkid’s children, voiced her concerns about the limiting label of “baby mama.” Expressing her frustration, Pollock pointed out that this label often overshadows her individual accomplishments and professional identity.

During the conversation, Pollock recounted a specific incident following Wizkid’s Grammy win. She had released a statement celebrating the growth of Afrobeat, a genre that has gained international acclaim. However, to her dismay, the media opted to characterize her contribution by the label “Wizkid’s baby mama,” undermining her entrepreneurial efforts and dedication. “The narrative does not recognise that you’re an entrepreneur and a hardworking businesswoman,” she remarked poignantly.

Pollock’s efforts extend beyond motherhood; she plays a vital role as a manager, actively contributing to the legacy of Afrobeat. Since beginning their relationship in 2014, Pollock and Wizkid have welcomed two sons, Zion and AJ. Jada Pollock’s experience highlights the importance of acknowledging individuals for their multifaceted roles beyond traditional labels, advocating for recognition of their professional identities amidst personal ones.

As society continues to evolve, it is crucial to embrace a broader perspective on the roles women play, particularly in the entertainment industry, where contributions often transcend personal relationships.

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Lil Baby stated that he will never get married legally.

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In a recent podcast interview, Dominique Armani Jones, famously known as Lil Baby, shared his unconventional views on marriage. At 30, the influential rapper has firmly ruled out the prospect of legal matrimony, favoring cohabitation over a formal union. Despite his current stance, Lil Baby has indicated that his perspective may evolve as he ages.

Lil Baby articulated his beliefs surrounding traditional marriage and prenuptial agreements, suggesting that legal contracts do not necessarily safeguard against disputes regarding assets post-divorce. His view reflects a modern interpretation of love and commitment, where emotional bonds can exist independently of legal obligations.

“I would vow ’till death do us part,’ we get married but no paperwork,” he stated, reinforcing his desire for meaningful connections without the constraints of formal marriage. Notably, he expressed his willingness to lavish his partner with wealth, offering extravagant gifts for engagement and weddings, yet stopping short of signing legal documents.

As societal norms continue to shift, Lil Baby’s perspective invites a broader conversation about the nature of commitment in contemporary relationships, highlighting the evolving definitions of love and partnership.

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