Entertainment
Reminisce states that it’s money that creates hit songs today, rather than the quality of the music itself.
In a recent interview on the ‘I Said What I Said’ podcast, Nigerian rapper Remilekun Khalid Safaru, popularly known as Reminisce, offered a poignant critique of the modern music industry. He posited that financial investment has increasingly usurped artistic merit as the primary determinant of a hit song’s success.
Reminisce articulated a profound shift in the landscape of music production and promotion, stating, “The game has now changed to another phase. The phase where you now have to spend money to get hits.” This assertion underscores a growing concern among musicians and industry insiders that talent and artistic integrity are often overshadowed by marketing budgets.
The rapper’s remarks resonate deeply in an era where the visibility of a song often hinges on its promotional expenditures rather than its musical substance. He emphasized that “money now produces hits not music anymore,” suggesting that the commercial viability of a track is frequently assessed through the lens of its financial backing.
As artists navigate this new terrain, the question remains: how will this trend affect the authenticity of music and the creative forces behind it? Reminisce’s reflections serve as a critical reminder to the industry that artistic expression should not be sacrificed at the altar of commercial success.
Veteran Nollywood actress Genevieve Nnaji recently engaged with a fan’s observation about her appearance on X. Following a post featuring a photograph of the actress, a user commented on her aging, stating, “You really cannot cheat nature. My fine wine is finally growing old.”
Ms. Nnaji’s response demonstrated a remarkably grounded perspective. She replied, “It gets worse, bro. I will get so old I’ll die, if I’m lucky.”
This simple yet profound statement underscores a realistic and mature acceptance of the inevitable aging process. The actress, widely celebrated for her beauty and impactful contributions to Nollywood since 1998, acknowledges mortality with refreshing candor. Her response serves as a reminder that aging is a natural and privileged experience, a perspective often overshadowed in the pursuit of perpetual youth.
Nigerian rapper Tochukwu Ojogwu, known professionally as Odumodublvck, has publicly stated that he refused a substantial monetary offer designed to sway his support against Labour Party presidential candidate, Peter Obi, during the 2023 election cycle.
This declaration follows criticism directed at the artist for his perceived entitlement in requesting Mr. Obi to promote his forthcoming album, “The Machine Is Coming,” as a reciprocation for his loyalty.
Odumodublvck defended his request, asserting that he made significant sacrifices to support Mr. Obi’s campaign. In a post on X, he alluded to the magnitude of the offer he rejected, framing his album promotion request as a modest ask in light of his prior commitment. The artist emphasized his unwavering stance and the forthcoming release of his project.
American rapper and model Rubi Rose has publicly stated her financial prerequisites for prospective romantic partners. In a recent livestream with Adin Ross, the artist declared that she requires a potential suitor to earn a minimum of $5 million annually.
Rose justified this stipulation by drawing a parallel to societal expectations regarding female attractiveness, stating that “Men won’t date ugly girls, so I don’t want to date a broke guy.” Further clarifying her position, she added that she desires a partner who is financially comparable to herself and stipulated that his wealth must be derived from legal avenues. Her remarks have predictably ignited considerable discussion regarding financial expectations in modern relationships.
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