Divine Ikubor, the Nigerian music sensation known as Rema, recently lauded D’banj, a veteran figure in the Afrobeats scene, for his instrumental contributions to the genre’s global ascent, particularly within the United Kingdom. This acknowledgment occurred during Rema’s sold-out performance at London’s prestigious 02 Arena on Sunday.

Rema emphasized the significance of D’banj’s 2012 hit, “Oliver Twist,” which achieved a historic milestone as the first Nigerian track to break into the top 10 of the UK official chart. This achievement, according to Rema, effectively paved the way for subsequent Afrobeats artists to gain recognition and chart success in the UK market.

Inviting D’banj onto the stage, Rema articulated that D’banj’s crossover success in the UK was a fundamental precursor to his own accomplishments as an Afrobeats artist in the region. He specifically credited D’banj with unlocking opportunities for Afrobeats artists in the United Kingdom.

“First of all, I want to appreciate you for opening the doors,” Rema stated. “We [the new generational artists] do not do it alone.” He further acknowledged D’banj and Don Jazzy’s collaborative efforts in establishing a strong foundation for Afrobeats in the UK, expressing deep gratitude for their pioneering work. “You were one of the first ones to bring Afrobeats to the UK. You and Don Jazzy held it down. Y’all open that door,” Rema continued.

Rema concluded his heartfelt tribute by stating, “I appreciate you for life. I love you from the bottom of my heart. If you never existed, I would have never existed,” underscoring the profound impact of D’banj’s legacy on the current generation of Afrobeats artists. This public acknowledgment serves as a testament to the enduring influence of D’banj’s contributions to the globalization of Afrobeats music.

Nigerian Afrobeats artist Bella Shmurda, known for his hit track ‘Triumphant,’ recently shared insights into his potential alternate career path. In a conversation on the Afrobeats Intelligence podcast with Joey Akan, Shmurda revealed that he believes he would have been a preacher or motivational speaker had he not pursued music.

The singer expressed a strong conviction that preaching aligns with his sense of purpose, a sentiment he actively integrates into his musical creations. Shmurda emphasized his innate ability to uplift and connect with others on a deeper level, suggesting this is a core element of his identity. He further stated that spirituality is a non-negotiable aspect of his songwriting process, imbuing his music with a palpable sense of depth and meaning. This declaration offers fans a glimpse into the motivations and beliefs that underpin Shmurda’s artistic expression.

The Nigerian highlife music scene mourns the loss of Chief Mike Ejeagha, who passed away on Friday evening at the age of 95. Confirmed by his eldest son, Emma, the legendary musician died at the 32 Garrison Hospital in Enugu after a prolonged illness.

Born on April 4, 1930, in Enugu State, Ejeagha, popularly known as “Gentleman Mike Ejeagha,” achieved prominence between the 1960s and 1980s. His distinctive style of Igbo folk music produced enduring hits such as Omekagu, Uwa Mgbede Ka Mma, and Ka Esi Le Onye Isi Oche (Gwogwogwongwo).

Ejeagha’s contribution to Igbo culture is immense, with over 300 recordings archived in the National Archives of Nigeria. A recent viral dance challenge in 2024, featuring his 1983 track “Ka Esi Le Onye Isi Oche,” introduced his work to a new generation.

His passing marks the end of an era, but Mike Ejeagha’s legacy remains firmly etched in Nigerian highlife music.