Entertainment
Phyno explains his reasons for rapping in Igbo.
Nigerian indigenous rapper, Chibuzor Nelson Azubuike, widely known as Phyno, recently articulated the motivations behind his decision to rap in his native Igbo dialect. In an insightful discussion on the latest episode of the ‘In My Opinion’ podcast, Phyno reflected on the evolution of his musical journey, emphasizing the importance of cultural representation in an increasingly globalized music industry.
Initially, Phyno began his career with English rap, influenced by iconic Western artists such as Busta Rhymes, Jay-Z, Tupac, and The Notorious B.I.G. However, as he sought to carve out a unique space for himself within the music scene, he recognized the need to offer something distinctive to the global audience. “What am I going to sell to the world?” he pondered, highlighting the paradox of promoting a language already owned by its native speakers.
By choosing to express himself in Igbo, Phyno not only embraces his cultural heritage but also presents a unique product to the world. He remarked, “If I go to America right now, I am selling Igbo to them. That’s what it’s.” This perspective underlines the potential of indigenous languages in the global music industry, allowing artists to penetrate markets with authenticity and originality.
Phyno’s upbringing in a highlife-influenced neighborhood further enriched his musicality, allowing him to weave various cultural influences into his art. He emphasized the importance of representing his culture, even in his fashion choices. The rapper’s dedication to showcasing Igbo culture through music and attire embodies a broader movement among artists who seek to redefine cultural narratives on a global scale.
In conclusion, Phyno’s commitment to rapping in Igbo not only elevates the profile of indigenous languages in the global music scene but also serves as an inspiring reminder of the power of cultural authenticity in artistic expression.
Veteran Nollywood actress Genevieve Nnaji recently engaged with a fan’s observation about her appearance on X. Following a post featuring a photograph of the actress, a user commented on her aging, stating, “You really cannot cheat nature. My fine wine is finally growing old.”
Ms. Nnaji’s response demonstrated a remarkably grounded perspective. She replied, “It gets worse, bro. I will get so old I’ll die, if I’m lucky.”
This simple yet profound statement underscores a realistic and mature acceptance of the inevitable aging process. The actress, widely celebrated for her beauty and impactful contributions to Nollywood since 1998, acknowledges mortality with refreshing candor. Her response serves as a reminder that aging is a natural and privileged experience, a perspective often overshadowed in the pursuit of perpetual youth.
Nigerian rapper Tochukwu Ojogwu, known professionally as Odumodublvck, has publicly stated that he refused a substantial monetary offer designed to sway his support against Labour Party presidential candidate, Peter Obi, during the 2023 election cycle.
This declaration follows criticism directed at the artist for his perceived entitlement in requesting Mr. Obi to promote his forthcoming album, “The Machine Is Coming,” as a reciprocation for his loyalty.
Odumodublvck defended his request, asserting that he made significant sacrifices to support Mr. Obi’s campaign. In a post on X, he alluded to the magnitude of the offer he rejected, framing his album promotion request as a modest ask in light of his prior commitment. The artist emphasized his unwavering stance and the forthcoming release of his project.
American rapper and model Rubi Rose has publicly stated her financial prerequisites for prospective romantic partners. In a recent livestream with Adin Ross, the artist declared that she requires a potential suitor to earn a minimum of $5 million annually.
Rose justified this stipulation by drawing a parallel to societal expectations regarding female attractiveness, stating that “Men won’t date ugly girls, so I don’t want to date a broke guy.” Further clarifying her position, she added that she desires a partner who is financially comparable to herself and stipulated that his wealth must be derived from legal avenues. Her remarks have predictably ignited considerable discussion regarding financial expectations in modern relationships.
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