Entertainment
Netflix Reaffirms Commitment to Nigeria Amid Speculation of Exit.

In response to recent speculation regarding its potential departure from Nigeria, Netflix has firmly denied any intentions to exit the Nigerian market. Reports surfaced following comments from prominent Nigerian filmmaker Kunle Afolayan, who revealed in a viral video that Netflix had canceled several commissioned projects, leading to concerns about the streaming giant’s commitment to the region.
Afolayan, reflecting on his partnership with Netflix, expressed disappointment over the perceived dissatisfaction with local returns despite the global success of the films produced under their collaboration. He noted, “Three years ago, when we signed the three-film deal with Netflix, it was really exciting,” and lamented that many other projects were canceled while his team completed seasons two and three.
In an official response to these developments, Netflix reiterated its dedication to Nigeria’s burgeoning creative industry. Edafe Onoriode, Group Account Director at Hill and Knowlton Strategies, representing Netflix, stated, “We are not exiting Nigeria. We will continue to invest in Nigerian stories to delight our members.”
Since its entry into the Nigerian market in 2016, Netflix has established a significant partnership with Nollywood, initially acquiring distribution rights for popular films and later producing original content, including Genevieve Nnaji’s *Lionheart*, the first Nigerian Netflix original film. This commitment underscores Netflix’s strategy to enhance its presence in Nigeria and support the local creative community.
Entertainment
Nollywood Mourns the Loss of Kayode Peters.

The Nigerian film industry is in mourning following the death of Kayode Peters, a renowned filmmaker and producer. The news was announced by his family on his official Instagram page, stating that he passed away peacefully on the morning of Saturday, June 28, 2025, in Toronto, Canada, after a long illness.
Peters, fondly known as KP, was celebrated for his contributions as a filmmaker, actor, and producer. He was known for his role as Koko in the popular sitcoms “Twilight Zone” and “Flatmates” in the early 2000s. His work also extended to stage plays and sitcoms like “Extended Family” and “Being Farouk,” significantly impacting Nigeria’s contemporary theatre and television landscape.
He is survived by his wife, Alexander, and their children. Funeral arrangements are underway, and further details will be shared by the family in due course. The industry and fans alike will deeply miss his warmth, generosity, and contributions to Nollywood.
Entertainment
Carter Efe Loses Social Media Accounts Following His Criticism of Wizkid.

Popular Nigerian skit maker, Carter Efe, has reportedly lost access to his Instagram and TikTok accounts. This development follows recent criticism leveled against Afrobeat artist Wizkid during a TikTok live stream.
Efe’s comments, in which he accused Wizkid of pride, triggered a backlash from Wizkid’s fanbase, known as Wizkid FC. Subsequently, Efe claimed on X (formerly Twitter) that his Instagram account, boasting 1.8 million followers, was taken down by Wizkid FC. He later released an apology video stating that his TikTok account had also been blocked.
Efe has appealed to Wizkid and Wizkid FC for forgiveness and the restoration of his accounts.
Entertainment
Terry G Claims Indelible Impact on Nigerian Music.

Gabriel Oche Amanyi, known as Terry G, has asserted his significant contribution to the Nigerian music landscape. The “Akpoko Master,” pioneer of the “Street-hop” movement in the 2010s, stated that his influence is undeniable when discussing cultural impact within the Nigerian music industry.
His comments, made via social media on Wednesday, arrive amidst ongoing discussions regarding impact and legacies, spurred by the recent exchange between Odumodublvck and Blaqbonez.
In his statement on X, Terry G declared, “You can’t talk about cultural impact in Nigeria without talking about Terry G. I am the culture!” This pronouncement underscores his belief in his lasting effect on the evolution of Nigerian music.