Entertainment
Kiitan Bukola Opens Up About Her Fears of Marriage.
In a heartfelt discussion on the latest episode of the ‘Talk to B’ podcast, Nollywood actress Kiitan Bukola candidly shared her apprehensions regarding marriage. She attributed her fears to a challenging childhood marked by the absence of paternal love and support.
Bukola revealed that she grew up without the nurturing presence of a father, stating, “I don’t have a father who cared how I wanted it. Like, I didn’t enjoy the love of father to mother together. So, it hurts me a lot.” This experience has profoundly influenced her desire to create a stable and loving environment for her future children, a privilege she felt she was denied.
Reflecting on her past relationships, Bukola expressed a strong desire to avoid the pitfalls she has witnessed in the marriages of friends, noting that she longs for her children to experience a nurturing familial structure. “I don’t want to have children out of wedlock. I want my children to experience fatherly care,” she emphasized.
Despite her love for the institution of marriage, Bukola admitted to feeling intimidated by it. She articulated a vision of an ideal partner—someone who is understanding, prayerful, and capable of distinguishing between her professional commitments and home life. Her previous relationship, which ended due to alleged infidelity, left a lasting impression, reinforcing her need for a supportive and respectful partner.
As Bukola navigates her fears and aspirations for the future, her story resonates with many who have faced similar challenges, highlighting the complexities of love and family dynamics in contemporary society.
The Nigerian film industry is in mourning following the death of Kayode Peters, a renowned filmmaker and producer. The news was announced by his family on his official Instagram page, stating that he passed away peacefully on the morning of Saturday, June 28, 2025, in Toronto, Canada, after a long illness.
Peters, fondly known as KP, was celebrated for his contributions as a filmmaker, actor, and producer. He was known for his role as Koko in the popular sitcoms “Twilight Zone” and “Flatmates” in the early 2000s. His work also extended to stage plays and sitcoms like “Extended Family” and “Being Farouk,” significantly impacting Nigeria’s contemporary theatre and television landscape.
He is survived by his wife, Alexander, and their children. Funeral arrangements are underway, and further details will be shared by the family in due course. The industry and fans alike will deeply miss his warmth, generosity, and contributions to Nollywood.
Popular Nigerian skit maker, Carter Efe, has reportedly lost access to his Instagram and TikTok accounts. This development follows recent criticism leveled against Afrobeat artist Wizkid during a TikTok live stream.
Efe’s comments, in which he accused Wizkid of pride, triggered a backlash from Wizkid’s fanbase, known as Wizkid FC. Subsequently, Efe claimed on X (formerly Twitter) that his Instagram account, boasting 1.8 million followers, was taken down by Wizkid FC. He later released an apology video stating that his TikTok account had also been blocked.
Efe has appealed to Wizkid and Wizkid FC for forgiveness and the restoration of his accounts.
Gabriel Oche Amanyi, known as Terry G, has asserted his significant contribution to the Nigerian music landscape. The “Akpoko Master,” pioneer of the “Street-hop” movement in the 2010s, stated that his influence is undeniable when discussing cultural impact within the Nigerian music industry.
His comments, made via social media on Wednesday, arrive amidst ongoing discussions regarding impact and legacies, spurred by the recent exchange between Odumodublvck and Blaqbonez.
In his statement on X, Terry G declared, “You can’t talk about cultural impact in Nigeria without talking about Terry G. I am the culture!” This pronouncement underscores his belief in his lasting effect on the evolution of Nigerian music.
A Special Birthday Tribute to Mrs. Linda Aronu C.
A Special Birthday Message to Dike Christopher Nnamdi.
