Nollywood actress Ekene Umenwa recently revealed experiencing pressure early in her career to compromise her Christian faith in exchange for professional advancement. In a Wednesday Instagram post, the “Black Choir” star recounted being advised by unnamed individuals to abandon her religious beliefs for success within the industry.

Umenwa affirmed her resolute refusal to yield to these pressures, choosing instead to find strength and guidance in her faith. She shared a video set to the gospel song “No Turning Back,” emphasizing her unwavering commitment to her beliefs despite the challenges.

Umenwa’s disclosure highlights potential ethical dilemmas faced by individuals navigating the complexities of the Nigerian film industry. Her story resonates with themes of integrity and the importance of adhering to personal values amidst external pressures.

Jennifer Lopez is once again embroiled in a legal battle over alleged copyright infringement. Photographer Edwin Blanco, and his agency Backgrid, have filed a $300,000 lawsuit against the actress and musician for unauthorized use of two photographs. The photos, reportedly taken at the 2025 Golden Globe Awards, were allegedly shared by Lopez on her social media platforms without proper licensing.

The lawsuit claims Lopez utilized the images to promote her brand, specifically tagging associated clothing and jewellery designers. Backgrid is seeking $150,000 in damages per photo. This is not the first instance of such a legal challenge for Lopez, as she previously faced similar lawsuits in 2019 and 2020 for analogous actions involving professionally captured images. The current case underscores the ongoing importance of understanding and respecting copyright law in the digital age, particularly regarding the use of professional photography.

Damini Ogulu, the Grammy Award-winning Nigerian artist known as Burna Boy, has announced a significant shift in his artistic identity. In a recent Instagram post promoting his forthcoming album, “No Sign Of Weakness,” the singer stated that his previous persona, the “African Giant,” is deceased, attributing its demise to individuals within his inner circle.

Ogulu revealed a struggle between the “African Giant” and a new iteration, “Big 7,” whose purpose is to safeguard what remains of his authentic self. This internal conflict suggests a profound period of transformation and a deliberate distancing from his established image.

The announcement coincides with a public plea from fellow Nigerian musician, Portable, for a collaboration. Following a recent monetary gift from Burna Boy, Portable expressed his desire for a featured verse, highlighting the continued influence and perceived significance of Burna Boy’s involvement in a track. While the request remains unanswered, the situation underscores the ongoing evolution of Burna Boy’s persona and its impact on the Nigerian music landscape.