Entertainment
Chidimma Adetshina makes history by becoming the first runner-up in the Miss Universe pageant.

Nigerian beauty queen Chidimma Adetshina has made her mark on the global stage by securing the first runner-up position at the 73rd Miss Universe competition. Competing against over 120 contestants, Adetshina’s remarkable performance culminated in her being honored behind the crowned winner, Miss Denmark, Victoria Kjaer Theilvig.
At just 23 years old, Chidimma Adetshina has undoubtedly achieved a significant milestone for Nigeria, marking the best performance the nation has seen in this prestigious pageant. Her historic placement as the first runner-up not only elevates her own status but also serves as a beacon of inspiration for aspiring beauty queens across the country.
The top five contestants included Miss Mexico, María Fernanda Beltrán Figueroa, in third place, alongside representatives from Thailand and Venezuela. This diverse array of competitors illustrates the rich cultural tapestry represented at the Miss Universe pageant.
Despite her success, Adetshina’s journey has not been without challenges. She faced online harassment and bullying due to her Nigerian heritage, underscoring the pressing need for inclusivity and acceptance in today’s global society. Her triumph, therefore, not only highlights personal achievement but also emphasizes the importance of resilience in overcoming adversity.
Chidimma Adetshina’s success at the Miss Universe pageant is a proud moment for Nigeria and a testament to the country’s growing recognition in the sphere of international beauty and cultural representation.
Entertainment
Nollywood Mourns the Loss of Kayode Peters.

The Nigerian film industry is in mourning following the death of Kayode Peters, a renowned filmmaker and producer. The news was announced by his family on his official Instagram page, stating that he passed away peacefully on the morning of Saturday, June 28, 2025, in Toronto, Canada, after a long illness.
Peters, fondly known as KP, was celebrated for his contributions as a filmmaker, actor, and producer. He was known for his role as Koko in the popular sitcoms “Twilight Zone” and “Flatmates” in the early 2000s. His work also extended to stage plays and sitcoms like “Extended Family” and “Being Farouk,” significantly impacting Nigeria’s contemporary theatre and television landscape.
He is survived by his wife, Alexander, and their children. Funeral arrangements are underway, and further details will be shared by the family in due course. The industry and fans alike will deeply miss his warmth, generosity, and contributions to Nollywood.
Entertainment
Carter Efe Loses Social Media Accounts Following His Criticism of Wizkid.

Popular Nigerian skit maker, Carter Efe, has reportedly lost access to his Instagram and TikTok accounts. This development follows recent criticism leveled against Afrobeat artist Wizkid during a TikTok live stream.
Efe’s comments, in which he accused Wizkid of pride, triggered a backlash from Wizkid’s fanbase, known as Wizkid FC. Subsequently, Efe claimed on X (formerly Twitter) that his Instagram account, boasting 1.8 million followers, was taken down by Wizkid FC. He later released an apology video stating that his TikTok account had also been blocked.
Efe has appealed to Wizkid and Wizkid FC for forgiveness and the restoration of his accounts.
Entertainment
Terry G Claims Indelible Impact on Nigerian Music.

Gabriel Oche Amanyi, known as Terry G, has asserted his significant contribution to the Nigerian music landscape. The “Akpoko Master,” pioneer of the “Street-hop” movement in the 2010s, stated that his influence is undeniable when discussing cultural impact within the Nigerian music industry.
His comments, made via social media on Wednesday, arrive amidst ongoing discussions regarding impact and legacies, spurred by the recent exchange between Odumodublvck and Blaqbonez.
In his statement on X, Terry G declared, “You can’t talk about cultural impact in Nigeria without talking about Terry G. I am the culture!” This pronouncement underscores his belief in his lasting effect on the evolution of Nigerian music.