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A Clash of Titans: Cubana Chief Priest Calls Out Burna Boy Over Family Safety Concerns.

Ikechukwu Emmanuel

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In a recent turn of events that has garnered significant attention within the Nigerian entertainment industry, nightlife mogul Pascal Okechukwu, widely known as Cubana Chief Priest, has issued a stark warning to renowned singer Burna Boy. Cubana Chief Priest has publicly declared that Burna Boy should be held accountable should any harm befall him or his family following what he perceives as a threat emanating from the singer’s social media activity.

The controversy began when Burna Boy shared a video via his Instagram Story, which Cubana Chief Priest alleges captures his family residence in Ikoyi. The socialite interpreted the use of an eye emoji in Burna Boy’s post as indicative of surveillance on his family, heightening his concerns about their safety. In response, he has taken proactive measures, informing law enforcement of the potential threat that he perceives.

Cubana Chief Priest’s discontent was clearly articulated in his repost of Burna Boy’s video, stating, “This na my neighbourhood for Ikoyi you drive pass my crib recording…you are watching me to shoot me abi or abduct my family.” His message further escalated, asserting a staunch resolve to protect his loved ones and confront any threats head-on. Notably, he emphasized the impending consequences should Burna Boy cross paths with him, signifying a readiness to engage in conflict.

Adding layers to this unfolding narrative, it is worth mentioning that Cubana Chief Priest has recently engaged in social media jabs directed at Burna Boy, allegedly in retaliation for a subtle insult leveled by the latter. Among the claims made by Cubana Chief Priest are accusations regarding Burna Boy’s purported controversial ties with American music executive Diddy in a bid for Grammy recognition.

As this public feud between two prominent figures in the entertainment industry continues to unravel, the implications for their respective careers and public images remain to be seen. The situation serves as a reminder of the often tumultuous relationships that can exist within the celebrity sphere, further exacerbated by the pervasive influence of social media. As Cubana Chief Priest has indicated, the stakes are high, and the safety of his family is paramount.

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A viral video captures a tense moment when a fan almost tackled Davido.

Ikechukwu Emmanuel

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A recent video depicting an overzealous fan aggressively grabbing Nigerian Afrobeats artist Davido by the leg has ignited online outrage and discussion regarding appropriate public behavior.

The incident took place at a Lagos recreational center where Davido was present with his daughter, Imade, and his team. Viral footage shows a male fan rushing towards the singer and tightly clasping his leg, creating a brief disruption before security intervened.

Commentators online have widely condemned the fan’s actions as a violation of personal space, particularly given Davido’s presence with his child. While the situation was quickly managed, it has raised concerns about the need for greater respect for boundaries in public interactions with celebrities.

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Mike Ejeagha’s Eldest Son Explains the Reason for Burial of his Father within 24 hours of his Death.

Ikechukwu Emmanuel

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Highlife music has lost a significant figure. Chief Mike Ejeagha, the celebrated Nigerian musician known for his hit “Gwo Gwo Gwo,” was laid to rest on Saturday in his hometown of Umuagba, Imezi-Owa, Enugu State. This occurred less than 24 hours after his passing at the age of 95 due to a prolonged illness.

Ejeagha’s rapid burial was in accordance with his express wishes, as revealed by his eldest son, Emmanuel Ejeagha. In a statement to the News Agency of Nigeria, Emmanuel explained that his father had requested a swift interment without embalmment. This wish was honored by his family, kindred, and with the consent of Enugu State Governor Peter Mbah. While the burial has been concluded, funeral ceremonies will be held at a later date.

Governor Mbah mourned Ejeagha as a uniquely gifted artist whose musical storytelling and cultural impact transcended generations. His passing marks a profound loss for his family, Enugu State, the music industry, and the nation.

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Rema Acknowledges D’banj’s Pioneering Role in Afrobeats’ UK Success.

Ikechukwu Emmanuel

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Divine Ikubor, the Nigerian music sensation known as Rema, recently lauded D’banj, a veteran figure in the Afrobeats scene, for his instrumental contributions to the genre’s global ascent, particularly within the United Kingdom. This acknowledgment occurred during Rema’s sold-out performance at London’s prestigious 02 Arena on Sunday.

Rema emphasized the significance of D’banj’s 2012 hit, “Oliver Twist,” which achieved a historic milestone as the first Nigerian track to break into the top 10 of the UK official chart. This achievement, according to Rema, effectively paved the way for subsequent Afrobeats artists to gain recognition and chart success in the UK market.

Inviting D’banj onto the stage, Rema articulated that D’banj’s crossover success in the UK was a fundamental precursor to his own accomplishments as an Afrobeats artist in the region. He specifically credited D’banj with unlocking opportunities for Afrobeats artists in the United Kingdom.

“First of all, I want to appreciate you for opening the doors,” Rema stated. “We [the new generational artists] do not do it alone.” He further acknowledged D’banj and Don Jazzy’s collaborative efforts in establishing a strong foundation for Afrobeats in the UK, expressing deep gratitude for their pioneering work. “You were one of the first ones to bring Afrobeats to the UK. You and Don Jazzy held it down. Y’all open that door,” Rema continued.

Rema concluded his heartfelt tribute by stating, “I appreciate you for life. I love you from the bottom of my heart. If you never existed, I would have never existed,” underscoring the profound impact of D’banj’s legacy on the current generation of Afrobeats artists. This public acknowledgment serves as a testament to the enduring influence of D’banj’s contributions to the globalization of Afrobeats music.

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