Entertainment
Davido Mocks Former Osun Speaker Over Exclusionary Remark.

Following a meeting between Osun State Governor Ademola Adeleke and President Bola Tinubu in Lagos, singer Davido has publicly derided former Osun State House of Assembly Speaker, Hon. Timothy Owoeye, over his recent comments. The meeting, which also included Governor Adeleke’s elder brother, Dr. Adedeji Adeleke, and Davido himself, has fueled speculation regarding a potential political alliance between Governor Adeleke and President Tinubu.
These speculations arose amidst an ongoing crisis surrounding local government elections in Osun State, which has reportedly resulted in the withholding of local government allocations since February 2025. In response to the rumors, Hon. Timothy Owoeye held a press conference in Osogbo on Wednesday, asserting, “Adeleke family is not welcome in the APC. There is no space for PDP and Adeleke in APC.”
Davido responded to Owoeye’s statement via a post on X, pointedly mocking the former Speaker. The singer’s comment, “No be this guy naked for bush?” references a 2018 incident where a video circulated online allegedly showing Owoeye naked and engaging in ritualistic activities.
This incident highlights the increasingly contentious political landscape in Osun State and the prominent role that public figures like Davido play in shaping public discourse. The singer’s pointed commentary underscores the deep divisions and personal attacks that are becoming increasingly prevalent in Nigerian politics. The long-term ramifications of these exchanges remain to be seen, but they undoubtedly contribute to a charged and often divisive political climate.
Entertainment
Nollywood Mourns the Loss of Kayode Peters.

The Nigerian film industry is in mourning following the death of Kayode Peters, a renowned filmmaker and producer. The news was announced by his family on his official Instagram page, stating that he passed away peacefully on the morning of Saturday, June 28, 2025, in Toronto, Canada, after a long illness.
Peters, fondly known as KP, was celebrated for his contributions as a filmmaker, actor, and producer. He was known for his role as Koko in the popular sitcoms “Twilight Zone” and “Flatmates” in the early 2000s. His work also extended to stage plays and sitcoms like “Extended Family” and “Being Farouk,” significantly impacting Nigeria’s contemporary theatre and television landscape.
He is survived by his wife, Alexander, and their children. Funeral arrangements are underway, and further details will be shared by the family in due course. The industry and fans alike will deeply miss his warmth, generosity, and contributions to Nollywood.
Entertainment
Carter Efe Loses Social Media Accounts Following His Criticism of Wizkid.

Popular Nigerian skit maker, Carter Efe, has reportedly lost access to his Instagram and TikTok accounts. This development follows recent criticism leveled against Afrobeat artist Wizkid during a TikTok live stream.
Efe’s comments, in which he accused Wizkid of pride, triggered a backlash from Wizkid’s fanbase, known as Wizkid FC. Subsequently, Efe claimed on X (formerly Twitter) that his Instagram account, boasting 1.8 million followers, was taken down by Wizkid FC. He later released an apology video stating that his TikTok account had also been blocked.
Efe has appealed to Wizkid and Wizkid FC for forgiveness and the restoration of his accounts.
Entertainment
Terry G Claims Indelible Impact on Nigerian Music.

Gabriel Oche Amanyi, known as Terry G, has asserted his significant contribution to the Nigerian music landscape. The “Akpoko Master,” pioneer of the “Street-hop” movement in the 2010s, stated that his influence is undeniable when discussing cultural impact within the Nigerian music industry.
His comments, made via social media on Wednesday, arrive amidst ongoing discussions regarding impact and legacies, spurred by the recent exchange between Odumodublvck and Blaqbonez.
In his statement on X, Terry G declared, “You can’t talk about cultural impact in Nigeria without talking about Terry G. I am the culture!” This pronouncement underscores his belief in his lasting effect on the evolution of Nigerian music.