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Spyro revealed that he spends N15 million each year on supporting beggars.

Ikechukwu Emmanuel

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Afrobeats singer Oludipe Oluwasanmi David, widely known as Spyro, has recently opened up about the immense financial and emotional pressure he faces as a celebrity in Lagos. In a candid revelation, Spyro disclosed that he spends over N15 million annually on beggars, a testament to his commitment to helping those in need.

In his Instagram post, Spyro expressed the challenges of celebrity life, particularly the constant demands for assistance from fans and strangers alike. He lamented that despite his efforts to give back, he often encounters ungratefulness, recounting a distressing incident where a stranger insulted him for not being able to provide financial help at that moment.

Spyro’s generosity is not a mere afterthought; he estimates that he spends a minimum of N100,000 each time he leaves his home, which amounts to approximately N1.2 million monthly. This staggering figure underscores the reality that many celebrities face—balancing their philanthropic desires with the pressures and expectations of their public personas.

His experiences serve as a reminder of the complexities surrounding celebrity philanthropy, where acts of kindness can sometimes lead to misunderstanding and resentment. As Spyro continues to navigate this challenging landscape, his story highlights the need for empathy and understanding toward those who choose to give back to their communities.

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Entertainment

Portable Threatens Legal Action Against Defamation.

Ikechukwu Emmanuel

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Following his recent arrest and temporary detainment related to alleged criminal defamation against Fuji musician Saheed Osupa, controversial Nigerian singer Habeeb Okikiola Badmus, known as Portable, has vowed to pursue legal action against anyone who defames him.

In a widely circulated video, Portable declared his intention to ensure the arrest of individuals who engage in defamatory speech against him. Citing his own experience with legal repercussions for defamation, the “Zazu” crooner stated, “Whoever talks bad about me or defames me will be arrested. They have done it to me, and I will do it to anybody too. There is no mercy.”

This declaration follows Portable’s remand at the Oke Kura Correctional Centre in Ilorin after failing to meet initial bail conditions. He was subsequently released after Saheed Osupa withdrew the petition against him. The incident appears to have solidified Portable’s resolve to vigorously defend his reputation through legal means.

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Birthday Shoutout

A Night of Stars: Obi Cubana’s 50th Birthday Celebration (Videos).

Ikechukwu Emmanuel

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Abuja shimmered with prestige on Saturday as businessman Obinna Iyiegbu, known as Obi Cubana, commemorated his 50th birthday in a grand affair. Held at the Transcorp Hilton Hotel, the celebration drew a distinguished guest list of national and international figures.

Political luminaries such as Peter Obi, Senator Enyinnaya Abaribe, and Senator Chris Ngige joined entertainment icons like Flavour, Paul Okoye, and Ini Edo in honoring the celebrated entrepreneur. The evening featured electrifying performances and heartfelt tributes, solidifying Obi Cubana’s status as a cultural icon.

Obi Cubana, known for his Cubana Group’s influence in hospitality and empowerment, expressed gratitude for the support received throughout his journey. The event served as a testament to his impact and legacy in Nigerian business and philanthropy.

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Entertainment

Fireboy DML Claims Immunity to Heartbreak.

Ikechukwu Emmanuel

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Nigerian Afrobeats artist, Fireboy DML, recently made the bold declaration that he has never experienced heartbreak. In an interview, the “Playboy” singer stated his desire for such an experience, but ultimately decided against it, citing the potential detrimental impact on his career and well-being.

The 29-year-old suggests that heartbreak is often self-inflicted, a consequence of ignoring warning signs in relationships. While acknowledging the pain inherent in heartbreak, Fireboy DML maintains that avoiding it is a conscious choice he is making to safeguard his current trajectory.

Whether this stance is a calculated move to control his narrative or a genuine reflection of his experiences remains to be seen. However, such a definitive statement invites scrutiny and raises the question of whether genuine artistic depth can be achieved without navigating the complexities of emotional vulnerability. Time will tell if this avoidance proves beneficial or ultimately limits his artistic expression.

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