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Shallipopi discusses collaborating with Olamide and the issues he faced with his former record label, Dapper Music.

Ikechukwu Emmanuel

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In a recent interview, rising Nigerian artist Shallipopi, known for his unique fusion of singing and rapping, elaborated on his decision to feature renowned rapper Olamide on his track “Order.” Shallipopi emphasized Olamide’s influential status in the Nigerian music scene, describing him as the “king of Nigerian street music.” He stated, “Baddo [Olamide] is the father and king of Nigerian street music. So I had to feature him on ‘Order’ because it is a street song, and Olamide owns the street.” This acknowledgement not only showcases Shallipopi’s respect for Olamide but also highlights the strategic nature of his collaboration, aimed at enhancing the song’s appeal within the vibrant street music culture.

Additionally, Shallipopi addressed his recent departure from Dapper Music, clarifying that he parted ways with the label following the expiration of his contract. He dispelled rumors of any discord, assuring fans that he maintains a cordial relationship with his former label. Shallipopi’s insights provide a glimpse into his artistic motivations and his journey within the dynamic Nigerian music industry.

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Skales claims Nigeria has a lower crime rate than the UK because of jungle justice.

Ikechukwu Emmanuel

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Nigerian Afrobeats artist, Skales, recently sparked debate with his comments regarding crime rates in Nigeria and the United Kingdom. In an interview on “Just Vibes,” Skales posited that the perceived lower crime rate in Nigeria is attributable to the fear of extrajudicial punishment. He stated that potential criminals in Nigeria are deterred by the possibility of severe, unsanctioned retribution, a consequence he believes criminals in the UK are less likely to face.

While acknowledging the deterrent effect, Skales explicitly stated he does not support or encourage “jungle justice” due to its inherently extrajudicial nature.

Furthermore, Skales touched upon the definition of Afrobeats, suggesting it functions more as an umbrella term encompassing diverse musical styles rather than a rigidly defined genre. This assertion echoes ongoing discussions within the music industry regarding the boundaries and evolution of the Afrobeats sound.

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Kizz Daniel asks fans to stop requesting financial assistance.

Ikechukwu Emmanuel

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Nigerian Afrobeat artist, Kizz Daniel, has recently addressed the rising trend of fans soliciting financial assistance from him on social media platform X (formerly Twitter).

While the artist has previously engaged in public giveaways, he expressed frustration with the frequency of such requests. He indicated a desire for genuine engagement with his fanbase beyond financial transactions.

In a statement on X, Daniel conveyed his intention to discontinue public financial assistance. He stated that future charitable endeavors would be conducted privately, emphasizing his preference for a relationship with fans based on mutual appreciation of his music and artistry. The shift appears to be driven by a desire to maintain a healthier dynamic within his online community amidst current economic pressures.

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Davido Affirms Protection of Tiwa Savage Amidst Past Tensions.

Ikechukwu Emmanuel

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Recent reports indicate a potential resolution to the previously strained relationship between Nigerian music icons Davido and Tiwa Savage. Despite past allegations of threats levied against Savage, stemming from a social media interaction involving Davido’s first baby mama, Sophia Momodu, Davido has publicly affirmed his dedication to Savage’s safety and well-being.

In a recent interview, Davido described Savage as his “sister for life,” emphasizing their long-standing bond and mutual respect within the industry. He further vowed to protect her with all his resources.

This statement comes a year after Savage filed a petition alleging threats against her, and despite initial reactions, including a protective response from Savage’s ex-husband, Teebillz, Davido’s recent declaration suggests a commitment to reconciliation and a renewed sense of camaraderie within the Nigerian music scene. It remains to be seen how this development will further evolve the dynamics between these influential figures.

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