Entertainment
Rudeboy slams the producer, claiming that the song “Winning” was recorded without his permission.
Nigerian musician Paul Okoye, famously known as Rudeboy from the acclaimed duo PSquare, has recently expressed his frustrations regarding significant issues surrounding his latest track, “Winning.” Taking to Instagram, Rudeboy voiced his dissatisfaction over what he describes as unauthorized actions by his producer and management, who he claims re-recorded the song without his consent, despite intentions to include it in his upcoming album slated for release next year.
In his poignant post, Rudeboy lamented, “Song title: WINNING. Written and sang by RUDEBOY… NOW HOW COME? NOW AM I SUPPOSED TO RELEASE ANOTHER VERSION? Just a simple thing: Bring 6 songs let me bring 6 songs… submitted my 6 songs to the so-called management. Why re-singing my own song word for word?” His words highlight a concern prevalent in the music industry—challenges of artistic integrity and the importance of consent in the creative process.
This public disagreement underscores the persistent tensions not only within Rudeboy’s professional relationships but also reflects broader conflicts that have historically marked his dynamic with his twin brother, Peter Okoye. While PSquare enjoyed remarkable success as a duo, a series of creative and business disputes have often strained their partnership. The unfolding conflict over “Winning” illustrates the ongoing struggle for control and direction in their respective music careers.
As Rudeboy navigates this challenging landscape, his frustrations serve as a reminder of the complexities artists face in asserting their creative rights amidst the pressures of the industry. The outcome of this dispute will undoubtedly be closely watched by fans and industry professionals alike, as it may set a precedent for how such issues are addressed in the future.
Entertainment
Rema and Asake is Among Barack Obama’s Favorite Songs of 2024.
Former United States President Barack Obama recently unveiled his favorite songs for the year 2024, featuring two prominent Nigerian artists, Rema and Asake. The announcement was made on Saturday, delighting fans of African music and highlighting its growing influence on the global stage.
Rema’s track “Yayo” and Asake’s collaboration with Travis Scott, entitled “Active,” both secured spots on Obama’s esteemed list. This acknowledgment not only celebrates the vibrant creativity of Nigerian musicians but also underscores the increasingly diverse landscape of contemporary music.
In addition to Rema and Asake, South African artist Tyla was also recognized for her track “Jump,” featuring Gunna and Skillibeng, showcasing the artistic contributions of the broader African music community. Notable Nigerian-American talents Shaboozey and Jordan Adetunji made appearances with their respective songs “A Bar Song” and “Kehlani,” further emphasizing the rich cultural exchange within the music industry.
Obama’s list also featured several established artists, including Kendrick Lamar, Beyoncé, and Karol G, each contributing a song that resonates with audiences worldwide. Sharing his selections on social media platform X, Obama invited listeners to explore his favorites and recommended engagement with emerging artists.
This recognition by a global figure such as Barack Obama presents an invaluable opportunity for Nigerian and African artists to reach a wider audience and solidifies the importance of their contributions to the music world. As these artists continue to break barriers, it is clear that the sound of Africa is gaining prominence on the international stage.
Entertainment
How the rumors of my death affected my family – Yinka Quadri.
In a recent interview, esteemed Nollywood actor Yinka Quadri addressed the distressing repercussions of a death rumor that circulated in June, causing considerable concern among his fans and family. The 65-year-old actor took to social media to clarify his wellbeing, stating unequivocally that he was “alive and well.” Despite this reassurance, the emotional toll on his family was significant.
Quadri expressed his disappointment in those who propagate such falsehoods, acknowledging the unnecessary stress and anxiety inflicted upon his loved ones. He remarked, “Weldone, you content creators,” encapsulating his feelings towards the individuals responsible for the rumor. While he emphasized that no one welcomes the spread of death rumors, he chose to leave judgment of the perpetrators to a higher authority.
The actor recounted how the rumor caused his children, who reside abroad, to experience heightened worry, prompting frequent calls to verify his safety. Quadri’s experience underscores the profound impact that misinformation can have on individuals and their families, drawing attention to the ethical responsibilities of content creators in the age of social media.
In conclusion, the fallout from such rumors serves as a reminder of the importance of compassion and truthfulness in our communications, particularly when it concerns matters of life and death.
Entertainment
Jada Pollock emphasizes that she is not solely defined by being Wizkid’s baby mama.
In a recent interview, Jada Pollock, the talent manager and mother of Wizkid’s children, voiced her concerns about the limiting label of “baby mama.” Expressing her frustration, Pollock pointed out that this label often overshadows her individual accomplishments and professional identity.
During the conversation, Pollock recounted a specific incident following Wizkid’s Grammy win. She had released a statement celebrating the growth of Afrobeat, a genre that has gained international acclaim. However, to her dismay, the media opted to characterize her contribution by the label “Wizkid’s baby mama,” undermining her entrepreneurial efforts and dedication. “The narrative does not recognise that you’re an entrepreneur and a hardworking businesswoman,” she remarked poignantly.
Pollock’s efforts extend beyond motherhood; she plays a vital role as a manager, actively contributing to the legacy of Afrobeat. Since beginning their relationship in 2014, Pollock and Wizkid have welcomed two sons, Zion and AJ. Jada Pollock’s experience highlights the importance of acknowledging individuals for their multifaceted roles beyond traditional labels, advocating for recognition of their professional identities amidst personal ones.
As society continues to evolve, it is crucial to embrace a broader perspective on the roles women play, particularly in the entertainment industry, where contributions often transcend personal relationships.
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