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Rudeboy slams the producer, claiming that the song “Winning” was recorded without his permission.

Ikechukwu Emmanuel

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Nigerian musician Paul Okoye, famously known as Rudeboy from the acclaimed duo PSquare, has recently expressed his frustrations regarding significant issues surrounding his latest track, “Winning.” Taking to Instagram, Rudeboy voiced his dissatisfaction over what he describes as unauthorized actions by his producer and management, who he claims re-recorded the song without his consent, despite intentions to include it in his upcoming album slated for release next year.

In his poignant post, Rudeboy lamented, “Song title: WINNING. Written and sang by RUDEBOY… NOW HOW COME? NOW AM I SUPPOSED TO RELEASE ANOTHER VERSION? Just a simple thing: Bring 6 songs let me bring 6 songs… submitted my 6 songs to the so-called management. Why re-singing my own song word for word?” His words highlight a concern prevalent in the music industry—challenges of artistic integrity and the importance of consent in the creative process.

This public disagreement underscores the persistent tensions not only within Rudeboy’s professional relationships but also reflects broader conflicts that have historically marked his dynamic with his twin brother, Peter Okoye. While PSquare enjoyed remarkable success as a duo, a series of creative and business disputes have often strained their partnership. The unfolding conflict over “Winning” illustrates the ongoing struggle for control and direction in their respective music careers.

As Rudeboy navigates this challenging landscape, his frustrations serve as a reminder of the complexities artists face in asserting their creative rights amidst the pressures of the industry. The outcome of this dispute will undoubtedly be closely watched by fans and industry professionals alike, as it may set a precedent for how such issues are addressed in the future.

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Entertainment

Unverified Allegations Regarding Brain Jotter and Ekwutosi

Ikechukwu Emmanuel

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Recent unconfirmed speculation circulating online alleges the involvement of Nigerian content creators Brain Jotter and Ekwutosi in a sensitive and concerning situation. These reports, which remain unsubstantiated, claim Ekwutosi is pregnant, leading to an alleged abortion and subsequent complications.

Further fueling speculation is a statement from content creator Mariam Oyakhilome, who has publicly expressed concern and indicated attempts to contact Ekwutosi’s family.

Given the nature of these allegations and the lack of official confirmation, it is paramount to exercise extreme caution. Spreading unverified information can be incredibly damaging to all parties involved.

We urge readers to refrain from making judgments or sharing these rumors until verified facts emerge. Prioritizing accuracy and responsible reporting is crucial in preventing the dissemination of misinformation and ensuring the well-being of those potentially affected. Let us focus on verifying the facts before contributing to the online narrative.

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Nollywood Casting Practices Under Scrutiny: Actress Jemima Osunde Voices Concerns.

Ikechukwu Emmanuel

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Recent comments by Nollywood actress Jemima Osunde have ignited debate regarding evolving casting practices within the Nigerian film industry. Osunde, in conversation with fellow actor Jammal Ibrahim, highlighted the increasing pressure placed on actors to cultivate a robust social media presence as a prerequisite for securing roles.

Osunde argues that filmmakers appear to be prioritizing actors with significant online followings, effectively demanding that performers become content creators in addition to honing their acting craft. She questions the necessity of forcing actors to engage in viral trends, such as dance challenges, as a means of securing casting opportunities.

Ibrahim echoed Osunde’s sentiments, emphasizing the role of effective management in navigating these changing expectations. He stressed the importance of leveraging an actor’s existing strengths and personality rather than attempting to mold them into something inauthentic.

Osunde’s claims raise crucial questions about the balance between artistic merit and marketing viability in Nollywood, potentially reshaping the landscape for aspiring and established actors alike.

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Radio host Lolo 1 alleges she was raped by a colleague.

Ikechukwu Emmanuel

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Nigerian media personality Omotunde Adebowale-David, widely known as Lolo 1, recently shared a deeply personal and traumatic experience: she was sexually assaulted by a male colleague in the broadcasting industry.

Speaking on the ‘Say My Piece’ podcast, which she co-hosts, Lolo 1 detailed the lasting impact of the assault, noting the recurring trauma she experiences upon encountering her assailant. She expressed hesitancy in naming the individual, citing concerns about potential scrutiny for not reporting the incident sooner.

Lolo 1’s courageous disclosure sheds light on the pervasive issue of sexual assault within professional spaces and underscores the complex emotional and societal barriers that prevent survivors from coming forward. Her words highlight the denial and self-blame that often accompany such experiences, prompting an urgent need for continued dialogue and support systems for victims of sexual violence. This revelation serves as a potent reminder of the work that remains in creating a safe and equitable environment for all individuals within the Nigerian media landscape and beyond.

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