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Ayra Starr Surpasses Yemi Alade as Most-Viewed Nigerian Female Artist on YouTube.

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In a significant milestone for Nigerian music, Ayra Starr has officially surpassed Yemi Alade to become the most-viewed female artist from Nigeria on YouTube. As of now, Starr has amassed an impressive 811 million total views, overtaking Alade, who previously held the record with 805 million views.

At just 22 years old, Ayra Starr’s rise to prominence is marked by her hit single “Rush,” which has garnered over 395 million views, making it the most-viewed music video by a female Nigerian artist on the platform. This record was previously held by Yemi Alade’s beloved track “Johnny.”

Despite this shift in viewership rankings, Yemi Alade maintains her position as the female Nigerian artist with the highest number of subscribers, boasting 2.41 million followers on the platform.

Ayra Starr’s achievement highlights the dynamic nature of the Nigerian music scene and the increasing influence of its female artists in the global arena. As both artists continue to innovate and inspire, it will be exciting to observe how their respective journeys unfold in the years to come.

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Rema and Asake is Among Barack Obama’s Favorite Songs of 2024.

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Former United States President Barack Obama recently unveiled his favorite songs for the year 2024, featuring two prominent Nigerian artists, Rema and Asake. The announcement was made on Saturday, delighting fans of African music and highlighting its growing influence on the global stage.

Rema’s track “Yayo” and Asake’s collaboration with Travis Scott, entitled “Active,” both secured spots on Obama’s esteemed list. This acknowledgment not only celebrates the vibrant creativity of Nigerian musicians but also underscores the increasingly diverse landscape of contemporary music.

In addition to Rema and Asake, South African artist Tyla was also recognized for her track “Jump,” featuring Gunna and Skillibeng, showcasing the artistic contributions of the broader African music community. Notable Nigerian-American talents Shaboozey and Jordan Adetunji made appearances with their respective songs “A Bar Song” and “Kehlani,” further emphasizing the rich cultural exchange within the music industry.

Obama’s list also featured several established artists, including Kendrick Lamar, Beyoncé, and Karol G, each contributing a song that resonates with audiences worldwide. Sharing his selections on social media platform X, Obama invited listeners to explore his favorites and recommended engagement with emerging artists.

This recognition by a global figure such as Barack Obama presents an invaluable opportunity for Nigerian and African artists to reach a wider audience and solidifies the importance of their contributions to the music world. As these artists continue to break barriers, it is clear that the sound of Africa is gaining prominence on the international stage.

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How the rumors of my death affected my family – Yinka Quadri.

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In a recent interview, esteemed Nollywood actor Yinka Quadri addressed the distressing repercussions of a death rumor that circulated in June, causing considerable concern among his fans and family. The 65-year-old actor took to social media to clarify his wellbeing, stating unequivocally that he was “alive and well.” Despite this reassurance, the emotional toll on his family was significant.

Quadri expressed his disappointment in those who propagate such falsehoods, acknowledging the unnecessary stress and anxiety inflicted upon his loved ones. He remarked, “Weldone, you content creators,” encapsulating his feelings towards the individuals responsible for the rumor. While he emphasized that no one welcomes the spread of death rumors, he chose to leave judgment of the perpetrators to a higher authority.

The actor recounted how the rumor caused his children, who reside abroad, to experience heightened worry, prompting frequent calls to verify his safety. Quadri’s experience underscores the profound impact that misinformation can have on individuals and their families, drawing attention to the ethical responsibilities of content creators in the age of social media.

In conclusion, the fallout from such rumors serves as a reminder of the importance of compassion and truthfulness in our communications, particularly when it concerns matters of life and death.

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Jada Pollock emphasizes that she is not solely defined by being Wizkid’s baby mama.

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In a recent interview, Jada Pollock, the talent manager and mother of Wizkid’s children, voiced her concerns about the limiting label of “baby mama.” Expressing her frustration, Pollock pointed out that this label often overshadows her individual accomplishments and professional identity.

During the conversation, Pollock recounted a specific incident following Wizkid’s Grammy win. She had released a statement celebrating the growth of Afrobeat, a genre that has gained international acclaim. However, to her dismay, the media opted to characterize her contribution by the label “Wizkid’s baby mama,” undermining her entrepreneurial efforts and dedication. “The narrative does not recognise that you’re an entrepreneur and a hardworking businesswoman,” she remarked poignantly.

Pollock’s efforts extend beyond motherhood; she plays a vital role as a manager, actively contributing to the legacy of Afrobeat. Since beginning their relationship in 2014, Pollock and Wizkid have welcomed two sons, Zion and AJ. Jada Pollock’s experience highlights the importance of acknowledging individuals for their multifaceted roles beyond traditional labels, advocating for recognition of their professional identities amidst personal ones.

As society continues to evolve, it is crucial to embrace a broader perspective on the roles women play, particularly in the entertainment industry, where contributions often transcend personal relationships.

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