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Inspiring the Next Generation: Alex Iwobi’s Journey through Football and Music.

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Alex Iwobi, the Nigeria international footballer, is increasingly making a name for himself not only on the pitch but also in the music industry. Recently, he released his second single, “What’s Luv?”, featuring his close friend SPKS along with rising artist MBrown. This follows the debut of his first single, “Don’t Shoot,” in June, showcasing Iwobi’s burgeoning musical talent alongside his athletic prowess.

At just 28 years old, Iwobi expresses a profound commitment to inspire young individuals through his dual passions. In a statement to BBC Sport, he reflected on his upbringing in a challenging area of London, emphasizing his gratitude for the platform he has to make a meaningful impact.

“I hope that my music is another way of proving that young people do not have to feel they have to fit in just one box,” Iwobi remarked. His aspiration extends beyond football and music; he aims to encourage youth to pursue their dreams and focus on positive endeavors.

Iwobi’s journey serves as a testament to the power of multifaceted talents and the importance of inspiring the next generation to transcend limitations and achieve their aspirations.

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Rema and Asake is Among Barack Obama’s Favorite Songs of 2024.

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Former United States President Barack Obama recently unveiled his favorite songs for the year 2024, featuring two prominent Nigerian artists, Rema and Asake. The announcement was made on Saturday, delighting fans of African music and highlighting its growing influence on the global stage.

Rema’s track “Yayo” and Asake’s collaboration with Travis Scott, entitled “Active,” both secured spots on Obama’s esteemed list. This acknowledgment not only celebrates the vibrant creativity of Nigerian musicians but also underscores the increasingly diverse landscape of contemporary music.

In addition to Rema and Asake, South African artist Tyla was also recognized for her track “Jump,” featuring Gunna and Skillibeng, showcasing the artistic contributions of the broader African music community. Notable Nigerian-American talents Shaboozey and Jordan Adetunji made appearances with their respective songs “A Bar Song” and “Kehlani,” further emphasizing the rich cultural exchange within the music industry.

Obama’s list also featured several established artists, including Kendrick Lamar, Beyoncé, and Karol G, each contributing a song that resonates with audiences worldwide. Sharing his selections on social media platform X, Obama invited listeners to explore his favorites and recommended engagement with emerging artists.

This recognition by a global figure such as Barack Obama presents an invaluable opportunity for Nigerian and African artists to reach a wider audience and solidifies the importance of their contributions to the music world. As these artists continue to break barriers, it is clear that the sound of Africa is gaining prominence on the international stage.

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How the rumors of my death affected my family – Yinka Quadri.

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In a recent interview, esteemed Nollywood actor Yinka Quadri addressed the distressing repercussions of a death rumor that circulated in June, causing considerable concern among his fans and family. The 65-year-old actor took to social media to clarify his wellbeing, stating unequivocally that he was “alive and well.” Despite this reassurance, the emotional toll on his family was significant.

Quadri expressed his disappointment in those who propagate such falsehoods, acknowledging the unnecessary stress and anxiety inflicted upon his loved ones. He remarked, “Weldone, you content creators,” encapsulating his feelings towards the individuals responsible for the rumor. While he emphasized that no one welcomes the spread of death rumors, he chose to leave judgment of the perpetrators to a higher authority.

The actor recounted how the rumor caused his children, who reside abroad, to experience heightened worry, prompting frequent calls to verify his safety. Quadri’s experience underscores the profound impact that misinformation can have on individuals and their families, drawing attention to the ethical responsibilities of content creators in the age of social media.

In conclusion, the fallout from such rumors serves as a reminder of the importance of compassion and truthfulness in our communications, particularly when it concerns matters of life and death.

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Jada Pollock emphasizes that she is not solely defined by being Wizkid’s baby mama.

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In a recent interview, Jada Pollock, the talent manager and mother of Wizkid’s children, voiced her concerns about the limiting label of “baby mama.” Expressing her frustration, Pollock pointed out that this label often overshadows her individual accomplishments and professional identity.

During the conversation, Pollock recounted a specific incident following Wizkid’s Grammy win. She had released a statement celebrating the growth of Afrobeat, a genre that has gained international acclaim. However, to her dismay, the media opted to characterize her contribution by the label “Wizkid’s baby mama,” undermining her entrepreneurial efforts and dedication. “The narrative does not recognise that you’re an entrepreneur and a hardworking businesswoman,” she remarked poignantly.

Pollock’s efforts extend beyond motherhood; she plays a vital role as a manager, actively contributing to the legacy of Afrobeat. Since beginning their relationship in 2014, Pollock and Wizkid have welcomed two sons, Zion and AJ. Jada Pollock’s experience highlights the importance of acknowledging individuals for their multifaceted roles beyond traditional labels, advocating for recognition of their professional identities amidst personal ones.

As society continues to evolve, it is crucial to embrace a broader perspective on the roles women play, particularly in the entertainment industry, where contributions often transcend personal relationships.

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