Entertainment
The Pressures of Fame: Ayra Starr Reflects on Life as a Young Artist
Afrobeats sensation Ayra Starr recently shared her candid feelings regarding the toll her demanding schedule as an artist has taken on her appearance and overall well-being. Despite being born in 2002, Starr expressed a surprising sentiment of feeling “old,” highlighting the contrasts she perceives between herself and individuals from earlier generations.
In an interview with Rode in Nairobi, Kenya, Starr articulated her disillusionment, stating, “I have met people who were born in the 90s and they’re so vibrant and so young. I’m old and I was just born in 2002.” Her admission underscores the often-unexpected challenges faced by young artists in the fast-paced entertainment industry. The pressures of maintaining a bustling work schedule can lead to feelings of exhaustion and a longing for simpler moments of rest and rejuvenation, as she confided, “I want to stay home, I want to sleep.”
Despite the struggles, Starr remains committed to her craft. When discussing her creative process, she noted, “I feel like the more I make music, the more I recognise what my path is and what I’m trying to do.” This statement reflects her dedication to personal growth and artistic expression, even amid the frenetic demands of her career. As Ayra Starr navigates the complexities of youth and fame, her insights shed light on the often-overlooked realities of life as a young artist.
The Nigerian film industry is in mourning following the death of Kayode Peters, a renowned filmmaker and producer. The news was announced by his family on his official Instagram page, stating that he passed away peacefully on the morning of Saturday, June 28, 2025, in Toronto, Canada, after a long illness.
Peters, fondly known as KP, was celebrated for his contributions as a filmmaker, actor, and producer. He was known for his role as Koko in the popular sitcoms “Twilight Zone” and “Flatmates” in the early 2000s. His work also extended to stage plays and sitcoms like “Extended Family” and “Being Farouk,” significantly impacting Nigeria’s contemporary theatre and television landscape.
He is survived by his wife, Alexander, and their children. Funeral arrangements are underway, and further details will be shared by the family in due course. The industry and fans alike will deeply miss his warmth, generosity, and contributions to Nollywood.
Popular Nigerian skit maker, Carter Efe, has reportedly lost access to his Instagram and TikTok accounts. This development follows recent criticism leveled against Afrobeat artist Wizkid during a TikTok live stream.
Efe’s comments, in which he accused Wizkid of pride, triggered a backlash from Wizkid’s fanbase, known as Wizkid FC. Subsequently, Efe claimed on X (formerly Twitter) that his Instagram account, boasting 1.8 million followers, was taken down by Wizkid FC. He later released an apology video stating that his TikTok account had also been blocked.
Efe has appealed to Wizkid and Wizkid FC for forgiveness and the restoration of his accounts.
Gabriel Oche Amanyi, known as Terry G, has asserted his significant contribution to the Nigerian music landscape. The “Akpoko Master,” pioneer of the “Street-hop” movement in the 2010s, stated that his influence is undeniable when discussing cultural impact within the Nigerian music industry.
His comments, made via social media on Wednesday, arrive amidst ongoing discussions regarding impact and legacies, spurred by the recent exchange between Odumodublvck and Blaqbonez.
In his statement on X, Terry G declared, “You can’t talk about cultural impact in Nigeria without talking about Terry G. I am the culture!” This pronouncement underscores his belief in his lasting effect on the evolution of Nigerian music.
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